VERSE 

ADELAIDE CRAPSEY 



1915 
THE MANAS PRESS 

ROCHESTER, N. Y. 






Copyright 1915 
■HE MANAS PRFSS 




OEG 14 1915 



'Q)C\.A4i8028 



CONTENTS 



PART I 

Birth-Moment 15 

The Mother Exultant 19 

John Keats 24 

CiNQUAINS '^ . . 27 

November Night 28 

Release 29 

Triad 30 

Snow 31 

Anguish 32 

Trapped ...... 33 

Moon-Shadows 34 

Susanna and the Elders 35 

Youth 36 

The Guarded Wound 37 

Winter 38 

Night Winds 39 

Arbutus 40 

Roma Aeterna 41 

He's Killed the May 42 

Amaze 43 

Shadow 44 

* An original verse-form 

5 



Madness 45 

The Warning 46 

Saying of II Haboul 47 

Fate Defied 48 

Laurel in the Berkshires 49 

Niagara 50 

The Grand Canyon 51 

Now Barabbas was a Robber 52 

PART II 

To Walter Savage Landor 55 

The Pledge 56 

Hypnos, God of Sleep 57 

Expenses 58 

On Seeing Weather-Beaten Trees 59 

Adventure 60 

Oh, Lady, Let the Sad Tears Fall 61 

Dirge 62 

The Sun-Dial 63 

Old Love 64 

Ah Me . . Alas . 65 

Perfume of Youth 66 

Rapunzel (fl 

Vendor's Song 68 

Avis 69 

Doomsday 70 

Grain Field 71 

Song 72 

Pierrot 73 

6 



The Monk in the Garden 74 

To the Dead in the Graveyard underneath my Window . . 75 

The Mourner 78 

Night 79 

Rose-Mary of the Angels .80 

Ang^lique 81 

Chimes 82 

Mad-Song 84 

My Birds that Fly no Longer 86 

The Witch 87 

Cry of the Nymph to Eros 88 

Cradle-Song 90 

To Man Who Goes Seeking Immortality 92 

The Lonely Death 93 

Lo, all the Way 94 

The Immortal Residue 95 



FOREWORD 

ADELAIDE CRAPSEY, daughter of Algernon 
Sidney and Adelaide Trowbridge Crapsey, was 
born on the ninth of September, 1878. She died in her 
thirty-sixth year, on October the eighth, 1914. Her 
young girlhood was spent in Rochester, New York, 
where her eminent father was rector of St. Andrew's 
Parish. At fourteen she entered the preparatory school 
of Kemper Hall, Kenosha, Wisconsin, from which school 
she graduated at the head of her class, in 1897. She 
entered Vassar College the same year, graduating 
with the class of 1901. 

Two years after her graduation she began her work 
as a teacher of History and Literature, in Kemper 
Hall. In 1905 she went abroad and became a student 
in the School of Archaeology in Rome. The following 
year she assumed the position of instructor in Literature 
and History in Miss Lowe's Preparatory School in 
Stamford, Conn., but in 1908 on account of failing 
health she was compelled to abandon teaching for a 
time. The two succeeding years she spent in Italy and 
England, working on her Analysis of English Metrics — 

9 



an exhaustive scientific thesis relating to accent — 
which years before she had planned to accompHsh as 
her serious Hfe work. 

In 1911 she returned to America and became in- 
structor in Poetics at Smith College. The double 
burden of teaching and writing proved too much for 
her frail constitution, and in 1913, gravely ill, she 
was obliged to abandon definitely and finally both 
activities. The rest is a silence broken only by the 
remarkable verses of her last poetic phase. 

These are the bare biographical facts in the life of 
Adelaide Crapsey, but it would be an injustice to the 
reader not to attempt to render some sense of her 
personality, all compounded of beauty, mystery and 
charm. I remember her as fair and fragile, in action 
swift, in repose still; so quick and silent in her move- 
ments that she seemed never to enter a room but to 
appear there, and on the stroke of some invisible clock 
to vanish as she had come. 

Although in Meredith's phrase "a man and a woman 
both for brains," she was an intensely feminine pres- 
ence. Perfection was the passion of her life, and as 
one discerns it in her verse, one marked it also in her 
raiment. In the line 

"And know my tear-drenched veil along the grass" 

10 • 



I see again her drooping figure with some trail of 
gossamer bewitchment clinging about or drifting after 
her. Although her body spoke of a fastidious and 
sedulous care in keeping with her essentially aristo- 
cratic nature, she was merciless in the demands she 
made upon it, and this was the direct cause of her loss 
of health. The keen and shining blade of her spirit too 
greatly scorned its scabbard the body, and for this 
she paid the uttermost penalty. 

Her death was tragic. Full of the desire of life she 
yet was forced to go, leaving her work all unfinished • 
Her last year was spent in exile at Saranac Lake. 
From her window she looked down on the graveyard — 
^'Trudeau's Garden,'' she called it, with grim-gay 
irony. Here, forbidden the work her metrical study 
entailed, these poems grew — flowers of a battlefield of 
the spirit. But of her passionate revolt against the 
mandate of her destiny she spared her family and 
friends even a sign. When they came to cheer and 
comfort her it was she who brought them cheer and 
comfort. With magnificent and appalling courage 
she gave forth to them the humor and gaiety of her 
unclouded years, saving them even beyond the end 
from knowledge of this beautiful and terrible testa- 



11 



ment of a spirit all unreconciled, flashing "unquenched 
defiance to the stars/' 

This collection of her verse is of her own choosing, 
arranged and prepared by her own hand. She wrote 
gay verse in the earlier days before the shadow fell 
upon her, but her rigorous regard for unity banished 
it from this record of the fearful questioning of her 
spirit. 

This "immortal residue" is full of poignancy and 
power. The heart is stricken with her own terror at 
the approach of 

"The despot of our days the lord of dust.** 

The book which is her funeral urn will be found to 
hold more than the ashes of a personal passion, it 
contains 

" Infinite passion, and the pain of finite hearts that yearn." 

C. B. 

Rochester, N. Y., October 1915. 



12 



PART I 



BIRTH-MOMENT 

Behold her, 

Running through the waves, 

Eager to reach the land: 

The water laps her, 

Sun and wind are on her, 

Healthy, brine-drenched and young. 

Behold Desire new-born; — 

Desire on first fulfilment's radiant edge. 

Love at miraculous moment of emergence. 

This is she. 

Who running. 

Hastens, hastens to the land. 

Look. . Look. . 

Her blown gold hair and lucent eyes of youth, 

Her body rose and ivory in the sun. . 

Look, 

How she hastens. 

Running, running to the land. 

Her hands are yearning and her feet are swift 
To reach and hold 

15 



She knows not what, 

Yet knows that it Is life; 

Need urges her, 

Self, uncomprehended but most deep divined, 

Unwilled but all-compelling, drives her on. 

Life runs to life. 

She who longs. 

But hath not yet accepted or bestowed. 

All virginal dear and bright. 

Runs, runs to reach the land. 

And she who runs shall be 

Married to blue of summer skies at noon, 

Companion to green fields. 

Held bride of subtle fragrance and of all sweet 

sound. 
Beloved of the stars. 
And wanton mistress to the veering winds. 

Oh, breathless space between: 

Womb-time just passed. 

Dark-hidden, chaotic-formative, unpersonal, 

And individual life of fresh-created force 

Not yet begun: 

One moment more 

16 



Before desire shall meet desire 

And new creation start: 

Oh breathless space, 

While she, 

Just risen from the waves, 

Runs, runs to reach the land. 

(Ah, keenest personal moment 

When mouth unkissed turns eager-slow and 

tremulous 
Towards lover's mouth. 
That tremulous and eager-slow 
Droops down to it: 
But breathless space of breath or tw® 
Lies in between 
Before the mouth upturned and mouth 

down-drooped 
Shall meet and make the kiss.) 

Look. • Look. . 
She runs. . 
Love fresh-emerged. 
Desire new-born. . 
Blown on by wind. 
And shone on by the sun, 
17 



She rises from the waves 

And running, 

Hastens, hastens to the land. 

Beloved and Beloved and Beloved, 

Even so right 

And beautiful and undenied 

Is my desire; 

Even so longing-swift 

I run to your receiving arms. 

O Aphrodite! 

Aphrodite, hear! 

Hear my wrung cry flame upward poignant* 

glad. . . 
This is my time for me. 

1 too am young; 

I too am all of love! 



1905. 



18 



THE MOTHER EXULTANT 

Joy! Joy! Joy! 

The hills are glad, 

The valleys re-echo with merriment, 

In my heart is the sound of laughter. 

And my feet dance to the time of it; 

Oh, little son, carried light on my shoulder, 

Let us go laughing and dancing through the 

live days. 
For this isthe hour of the vintage, 
When man gathereth for himself the fruits of 

the vineyard. 

Look, little son, look; 
The grapes are translucent and ripe. 
They are heavy and fragrant with juice. 
They wait for the hands of the vintagers; 
For a long time the grapes were not. 
And were in the womb of the earth. 
Then out of the heavens came the rain. 
The sun sent down his warmth from the sky, 
At the touch of life, life stirred, 
19 



And the earth brought forth her fruits in due 
season. 

I was a maid and alone, 
When, behold, there came to me a vision; 
My heart cried out within me, 
And the voice was the voice of God. 
Yea, a virgin I dreamed of love. 
And I was troubled and sore afraid, 
I wept and was glad, 

For the word of my heart named me blessed, 
My soul exalted the might of creation. 
I was a maid and alone. 
When, behold, my lover came to me, 
My beloved held me in his arms. 

Joy! Joy! Joy! 

Now is the vision fulfilled : 

I have conceived, 

I have carried in my womb, 

I have brought forth 

The life of the world; 

Out of my joy and my pain. 

Out of the fulness of my living 

Hath my son gained his life. 



20 



Look, little son, look: 

The grapes are ripe for the gathering, 

The fresh, deep earth is in them. 

And clean water from the clouds. 

And golden, golden sun is in the heart of the grapes. 

Look, little son, look; 

The earth, your mother. 

And the touch of life who is your father. 

They have provided food for you 

That you also may live. 

The vineyards are planted on the hillside, 

They are the vineyards of my beloved. 

He chose a favorable spot. 

His hands prepared the soil for the planting: 

He set out the young vines 

And cared for them till the time of their 

bearing. 
Now is his labour fulfilled who worked with 

God. 

The fruit of the vineyard is ripe. 

The vintagers laugh in the sun. 

They sing while they gather the grapes. 

For the vintage is a good one. 

The wine vats are pressed down and running 

over. 

21 



Joy! Joy! Joy! 

Now is the wonder accomplished; 
Out of the heart of the living grape 
Hath the hand of my beloved 
Wrung the wine of the dream of life. 

Beloved, 

My little son's father, 
Together we have given life, 
And the vision of life; 
Shall we not rejoice 
Who have made eternal 
The days of our living? 

Look, little son, look: 

The grapes glow with rich juice. 

The juice of the grape hath in it 

The substance of the earth. 

And the air's breath; 

It hath in it the soul of the vintage. 

Put forth your hand, little son. 

And take for yourself the life 

That your father and your mother 

Have provided for you. 



22 



Joy! Joy! Joy! 
The hills are glad, 

The valleys re-echo with merriment, 
In my heart is the sound of laughter, 
And my feet dance to the time of it; 
Oh, little son, carried light on my shoulder. 
Let us go laughing and dancing through the 
live days, 

For this is the hour of the vintage. 

When man gathereth for himself the fruits of the 
vineyard. 
1905. 



23 



JOHN KEATS 

Meet thou the event 

And terrible happening of 

Thine end : for thou art come 

Upon the remote, cold place 

Of ultimate dissolution and 

With dumb, wide look 

Thou, impotent, dost feel 

Impotence creeping on 

Thy potent soul. Yea, now, caught in 

The aghast and voiceless pain 

Of death, thyself doth watch 

Thyself becoming naught. 

Peace. . Peace. . for at 
The last is comfort* Lo, now 
Thou hast no pain. Lo, now 
The waited presence is 
Within the room; the voice 
Speaks final-gentle: "Child, 
Ever thy careful nurse, 
I lift thee in my arms 
24 



For greater ease and while 
Thy heart still beats, place my 
Cool fingers of oblivion on 
Thine eyes and close them for 
Eternity. Thou shalt 
Pass sleeping, nor know 
When sleeping ceases. Yet still 
A little while thy breathing lasts. 
Gradual is faint and fainter; I 
Must listen close — the end." 

Rest. And you others. . All. 
Grave-fellows in 
Green place. Here grows 
Memorial every spring's 
Fresh grass and here 
Your marking monument 
Was built for you long, long 
Ago when Caius Cestius died. 



Romfy 1909. 



25 



CINQUAINS 

1911-191S 



NOVEMBER NIGHT 

Listen. . 

With faint dry sound, 

Like steps of passing ghosts, 

The leaves, frost-crisp'd, break from the trees 

And fall. 



28 



RELEASE 

With swift 

Great sweep of her 

Magnificent arm my pain 

Clanged back the doors that shut my sou! 

From life. 



29 



TRIAD 

These be 

Three silent things: 

The falling snow. . the hour 

Before the dawn. . the mouth of one 

Just dead. 



30 



SNOW 

Look up. . 

From bleakening hills 

Blows down the light, first breath 

Of wintry wind. . . look up, and scent 

The snow! 



31 



ANGUISH 

Keep thou 

Thy tearless watch 

All night but when blue-dawn 

Breathes on the silver moon, then weep! 

Then weep! 



32 



TRAPPED 

Well and 

If day on day 

Follows, and weary year 

On year. . and ever days and years. 

Well.? 



33 



MOON-SHADOWS 

Still as 

On windless nights 

The moon-cast shadows are, 

So still will be my heart when I 

Am dead. 



34 



SUSANNA AND THE ELDERS 

"Why do 

You thus devise 

Evil against her?" "For that 

She is beautiful, delicate; 

Therefore/^ 



35 



YOUTH 

But me 

They cannot touch, 

Old age and death. . the strange 

And Ignominious end of old 

Dead folk! 



36 



THE GUARDED WOUND 

Hit 

Were lighter touch 

Than petal of flower resting 

On grass, oh still too heavy it were, 

Too heavy! 



37 



WINTER 

The cold 

With steely clutch 

Grips all the land. . alack, 

The little people in the hills 

Will die! 



38 



NIGHT WINDS 

The old 

Old winds that blew 

When chaos was, what do 

They tell the clattered trees that I 

Should weep? 



39 



ARBUTUS 

Not Spring's 

Thou art, but her's, 

Most cool, most virginal, 

Winter's, with thy faint breath, thy snows 

Rose-tinged. 



40 



ROMA AETERNA 

The sun 

Is warm to-day, 

O Romulus, and on 

Thine olden Palatine the birds 

Still sing. 



41 



" HE'S KILLED THE MAY . . . 

^^He*s killed the May and he^s laid her by 
To bear the red rose company. ^^ 

Not thou, 

White rose, but thy 

Ensanguined sister is 

The dear companion of my heart's 

Shed blood. 



42 



AMAZE 

I know 

Not these my hands 

And yet I think there was 

A woman like me once had hands 

Like these. 



43 



SHADOW 

A-sway, 

On red rose, 

A golden butterfly. . 

And on my heart a butterfly 

Night-wing'd. 



44 



MADNESS 

Burdock, 

Blue aconite, 

And thistle and thorn. . of these, 

Singing, I wreath my pretty wreath 

O'death. 



45 



THE WARNING 

Just now, 

Out of the strange 

Still dusk. • as strange, as still. . 

A white moth flew. Why am I grown 

So cold .? 



46 



SAYING OF IL HABOUL 

Guardian of the Treasure of Solomon 
And Keeper of the Prophet* s Armour 

My tent 

A vapour that 

The wind dispels and but 

As dust before the wind am I 

Myself. 



47 



FATE DEFIED 

As it 

Were tissue of silver 

Fll wear, O fate, thy grey, 

And go mistily radiant, clad 

Like the moon. 



48 



LAUREL IN THE BERKSHIRES 

Sea-foam 

And coral! Oh, Til 

Climb the great pasture rocks 

And dream me mermaid in the sun^s 

Gold flood. 



49 



NIAGARA 

Seen on a Night in November 

How frail 

Above the bulk 

Of crashing water hangs, 

Autumnal, evanescent, wan, 

The moon. 



SO 



THE GRAND CANYON 

By Zeus ! 

Shout word of this 

To the eldest dead ! Titans, 

Gods, Heroes, come who have once more 

A home! 



51 



NOW BARABBAS WAS A ROBBER 

No guile? 

Nay, but so strangely 

He moves among us. . Not this 

Man but Barabbas! Release to us 

Barabbas! 



52 



PART II 



TO WALTER SAVAGE LANDOR 

Ah, Walter, where you lived I rue 
These days come all too late for me; 

What matter if her eyes are blue 
Whose rival is Persephone? 



Fiesole, 1909. 



55 



THE PLEDGE 

White doves of Cytherea, by your quest 
Across the blue Heaven's bluest highest air, 

And by your certain homing to Love's breast, 
Still to be true and ever true — I swear. 



56 



HYPNOS, GOD OF SLEEP 

The shadowy boy of night 
Crosses the dusking land; 

He sows his poppy-seeds 
With steady gentle hand. 

The shadowy boy of night, 

Young husbandman of dreams, 

Garners his gracious blooms 
By far and moonlit streams. 



57 



EXPENSES 

Little my lacking fortunes show 
For this to eat and that to wear; 

Yet laughing, Soul, and gaily go! 
An obol pays the Stygian fare. 



London^ 1910, 



58 



ON SEEING WEATHER-BEATEN TREES 

Is it as plainly in our living shown, 
By slant and twist, which way the wind 
hath blown? 



59 



ADVENTURE 

Sun and wind and beat of sea, 
Great lands stretching endlessly. . 
Where be bonds to bind the free? 
All the world was made for me! 



60 



OH, LADY, LET THE SAD TEARS FALL 

Oh, Lady, let the sad tears fall 

To speak thy pain. 
Gently as through the silver dusk 

The silver rain. 

Oh, let thy bosom breathe its grief 

In such soft sigh 
As hath the wind in gardens where 

Pale roses die. 



61 



DIRGE 

Never the nightingale, 

Oh, my dear, 
Never again the lark 
Thou wilt hear; 
Though dusk and the morning still 
Tap at thy window-sill, 
Though ever love call and call 
Thou wilt not hear at all. 
My dear, my dear. 



62 



THE SUN-DIAL 

Every day, 
Every day, 
Tell the hours 
By their shadows. 
By their shadows. 



63 



OLD LOVE 

More dim than waning moon 

Thy face, more faint 

Than is the faUing wind 

Thy voice, yet do 

Thine eyes most strangly glow. 

Thou ghost . . thou ghost. 



64 



AH ME. . ALAS. . 

{He) 

Ah me, my love's heart, 

Like some frail flower, apart, 

High, on the cliff^'s edge growing. 

Touched by unhindered sun to sweeter showing, 

Swung by each faint wind's faintest blowing, 

But so, on the cliff's edge growing, 

From man's reach aloof, apart: 

Ah me, my love's heart! 

{She) 

Alack, alas, my lover. 

As one who would discover 

At world's end his path. 

Nor knows at all what faery way he hath 

Who turneth dreaming into faith 

And followeth that near path 

His own heart dareth to discover: 

Alack, alas, my lover! 



65 



PERFUME OF YOUTH 

{GirVs Song) 

In Babylon, in Nineveh, 

And long ago, and far away, 
The lilies and the lotus blew 

That are my sweet of youth to-day. 

From those high gardens of the Gods 

That eyes of men may never see. 
The amaranth and asphodel 

Immortal odours shed on me. 

In vial of my early years, 

As in a crystal vial held. 
What precious fragrance treasured up 

Of age and agelessness distill'd. 

Thine but to give. Give straightway all. 

Yea, straight, mine hands, the ointment rare 
In great libation joyous pour! 

Oh, look of youth. . . Oh, golden hair. . . 



66 



RAPUNZEL 

All day, all day I brush 
My golden strands of hair; 

All day I wait and wait. . 
Ah, who is there? 

Who calls ? Who calls ? The gold 

Ladder of my long hair 
I loose and wait. . and wait. . 

Ah, who is there ? 

She left at dawn. . I am blind 
In the tangle of my long hair. . 

Is it she.? the witch.? the witch.? 
Ah, who is there.? 



67 



VENDOR'S SONG 

My songs to sell, good sir! 

I pray you buy. 
Here's one will win a lady's tears, 

Here's one will make her gay, 
Here's one will charm your true love true 

Forever and a day; 
Good sir, I pray you buy! 

Ohy noy he will not buy. 

My songs to sell, sweet maid! 

I pray you buy. 
This one will teach you Lilith's lore, 

And this what Helen knew. 
And this will keep your gold hair gold. 

And this your blue eyes blue; 
Sweet maid, I pray you buy! 

Ohy nOy she will not buy. 

If Vd as much money as I could telly 
I never would cry my songs to selly 
I never would cry my songs to selL 

68 



AVIS 

Avis, the fair, at dawn 
Rose lightly from her bed, 
Herself arrayed. 
Avis, the fair, the maid. 
In vestiment of lawn; 
Across the fields she sped. 
Five flowerets there she found, 
In fragrant garland wound. 
Avis, the fair, at dawn. 
Five roses red. 

Go thou from thence of thy pity! 
Thou loves't not me. 



69 



DOOMSDAY 

Peter stands by the gate, 

And Michael by the throne. 

"Peter, I would pass the gate 

And come before the throne/' 

"Whose spirit prayed never at the jpte, 

In life nor at the throne, 

In death he may not pass the gate 

To come before the throne:" 

Peter said from the gate; 

Said Michael from the throne 



70 



GRAIN FIELD 

Scarlet the poppies 
Blue the corn-flowers. 
Golden the wheat. 
Gold for The Eternal: 
Blue for Our Lady: 
Red for the five 
Wounds of her Son. 



71 



SONG 

I make my shroud but no one knows, 
So shimmering fine it is and fair, 
With stitches set in even rows. 
I make my shroud but no one knows. 

In door-way where the lilac blows. 
Humming a little wandering air, 
I make my shroud and no one knows, 
So shimmering fine it is and fair. 



72 



PIERROT 

For Aubrey Beardsley's picture ** Pierrot is dying*' 

Pierrot is dying; 

Tiptoe in, 
Finger touched to lip, 

Harlequin, 
Columbine and Clown. 

Hush ! how still he lies 

In his bed, 
White slipped hand and white 

Sunken head. 
Oh, poor Pierrot. 

There's his dressing-gown 

Across the chair. 
Slippers on the floor. . . 

Can he hear 
Us who tiptoe in .? 

Pillowed high he lies 

In his bed; 
Listen, Columbine. 

"He is dead." 
Oh, poor Pierrot. 

73 



THE MONK IN THE GARDEN 

He comes from Mass early in the morning 

The sky's the very blue Madonna wears; 

The air's alive with gold! Mark you the way 
The birds sing and the dusted shimmer of dew 

On leaf and fruit? . . Per Bacco, what a day! 



74 



TO THE DEAD IN THE GRAVEYARD 
UNDERNEATH MY WINDOW 

Written in a Moment of Exasperation 

How can you lie so still? All day I watch 
And never a blade of all the green sod moves 
To show where restlessly you turn and toss, 
Or fling a desperate arm or draw up knees 
StiflFened and aching from their long disuse; 
I watch all night and not one ghost comes forth 
To take its freedom of the midnight hour. 
Oh, have you no rebellion in your bones? 
The very worms must scorn you where you lie, 
A pallid, mouldering, acquiescent folk, 
Meek habitants of unresented graves. 
Why are you there in your straight row on row 
Where I must ever see you from my bed 
That in your mere dumb presence iterate 
The text so weary in my ears: "Lie still 
And rest; be patient and lie still and rest." 
ril not be patient! I will not lie still! 
There is a brown road runs between the pines. 
And further on the purple woodlands lie, 

75 



And still beyond blue mountains lift and loom; 

And I would walk the road and I would be 

Deep in the wooded shade and I would reach 

The windy mountain tops that touch the clouds. 

My eyes may follow but my feet are held. 

Recumbent as you others must I too 

Submit? Be mimic of your movelessness 

With pillow and counterpane for stone and sod? 

And if the many sayings of the wise 

Teach of submission I will not submit 

But with a spirit all unreconciled 

Flash an unquenched defiance to the stars. 

Better it is to walk, to run, to dance, 

Better it is to laugh and leap and sing, 

To know the open skies of dawn and night, 

To move untrammeled down the flaming noon, 

And I will clamour it through weary days 

Keeping the edge of deprivation sharp. 

Nor with the pliant speaking on my lips 

Of resignation, sister to defeat. 

ril not be patient. I will not lie still. 

And in ironic quietude who is 

The despot of our days and lord of dust 

Needs but, scarce heeding, wait to drop 

76 



Grim casual comment on rebellion's end; 

^'YeSy yes . . Wilful and petulant but now 

As dead and quiet as the others are, ^^ 

And this each body and ghost of you hath heard 

That in your graves do therefore lie so still. 

Saranac Lake, N. Y. 1914. 



77 



THE MOURNER 

I have no heart for noon-tide and the sun, 
But I will take me where more tender night 
Shakes, fold on fold, her dewy darkness down, 
And shelters me that I may weep in peace, 
And feel no pitying eyes, and hear no voice 
Attempt my grief in comfort's alien tongue. 

Where cypresses, more black than night is black, 
Border straight paths, or where, on hillside slopes, 
The dim grey glimmer of the olive trees 
Lies like a breath, a ghost, upon the dark. 
There will I wander when the nightingale 
Ceases, and even the veiled stars withdraw 
Their tremulous light, there find myself at rest, 
A silence and a shadow in the gloom. 

But all the dead of all the world shall know 
The pacing of my sable-sandal'd feet. 
And know my tear-drenched veil along the grass, 
And think them less forsaken in their graves. 
Saying: There's one remembers, one still mourns; 
For the forgotten dead are dead indeed. 



78 



NIGHT 

I have minded me 
Of the noon-day brightness, 
And the crickets' drowsy 
Singing in the sunshine. . 

I have minded me 
Of the slim marsh-grasses 
That the winds at twilight, 
Dying, scarcely ripple. . 

And I cannot sleep. 

I have minded me 

Of a lily-pond, 

Where the waters sway 

All the moonlit leaves 

And the curled long stems. . 

And I cannot sleep. 



79 



ROSE-MARY OF THE ANGELS 

Little Sister Rose-Marie, 
Will thy feet as willing-light 
Run through Paradise, I wonder, 
As they run the blue skies under, 
Willing feet, so airy-light? 

Little Sister Rose-Marie, 

Will thy voice as bird-note clear 

Lift and ripple over Heaven 

As its mortal sound is given. 

Swift bird-voice, so young and clear? 

How God will be glad of thee. 
Little Sister Rose-Marie! 



80 



ANGELIQUE 

Have you seen Angelique, 
What way she went? 
A white robe she wore, 
A flickering Hght near spent 
Her pale hand bore. 

Have you seen Angelique? 
Will she know the place 
Dead feet must find, 
The grave-cloth on her face 
To make her blind ? 

Have you seen Angelique. . 
At night I hear her moan. 
And I shiver in my bed; 
She wanders all alone, 
She cannot find the dead. 

81 



CHIMES 



The rose new-opening saith, 
And the dew of the morning saith, 
(Fallen leaves and vanished dew) 
Remember death. 

Ding dong bell 

Ding dong bell 

II 

May-moon thin and young 

In the sky, 
Ere you wax and wane 

I shall die: 
So my faltering breath. 
So my tired heart saith. 
That foretell me death. 
Ding-dong 

Ding-dong 
Ding-dong ding-dong bell 



82 



Ill 

'Thy gold hair likes me well 

And thy blue eyes," he saith, 

Who chooses where he will 

And none may hinder — Death. 

At head and feet for candles 
Roses burning red^ 

The valley lilies tolling 
For the early dead: 

Ding-dong ding-dong 

Ding-dong ding-dong 

Ding-dong ding-dong bell 
Ding dong bell 



83 



MAD SONG 

Grey gailers are my griefs 
That will not let me free; 

The bitterness of tears 
Is warder unto me. 

I may not leap or run; 

I may nor laugh nor sing. 
"Thy cell is small/' they say, 

"Be still thou captived thing.'* 

But in the dusk of the night, 
Too sudden-swift to see. 

Closing and ivory gates 
Are refuge unto me. 

My griefs, my tears must watch, 
And cold the watch they keep; 

They whisper, whisper there — 
I hear them in my sleep. 



84 



They know that I must come, 
And patient watch they keep, 

Whispering, shivering there. 
Till I come back from sleep. 

But in the dark of a night. 
Too dark for them to see. 

The refuge of black gates 
Will open unto me. 

Whisper up there in the dark. . 

Shiver by bleak winds stung. . 
My dead lips laugh to hear 

How long you wait. . . how long! 

Grey gailers are my griefs 
That will not let me free; 

The bitterness of tears 
Is warder unto me. 



85 



MY BIRDS THAT FLY NO LONGER 

Have ye forgot, sweet birds, 
How near the heavens lie? 

Drooping, sick-pinion'd, oh 
Have ye forgot the sky? 

The air that once I knew 
Whispered celestial things; 

I weep who hear no more 
Upward and rushing wings. 



86 



THE WITCH 

When I was girl by Nilus stream 

I watched the desert stars arise; 
My lover, he who dreamed the Sphinx, 

Learned all his dreaming from my eyes. 

I bore in Greece a burning name, 

And I have been in Italy 
Madonna to a painter-lad, 

And mistress to a Medici. 

And have you heard (and I have heard) 
Of puzzled men with decorous mien. 

Who judged — The wench knows far too much- 
And burnt her on the Salem green? 



87 



CRY OF THE NYMPH TO EROS 

Hear thou my lamentation, 

Eros, Aphrodite's son! 

My heart is broken and my days are done. 

Where the woods are dark and the stream runs clear 

in the dark, 
Eros! 
I prayed to thy mother and planted the seeds 

of her flowers. 
And smiled at the planting and wept at the planting. 

Oh, violets 
Ye are dead and your whiteness, your sweetness, 

availed not. Thy mother 
Is cruel. Her flowers lie dead at the steps 

of her altar, 
Eros! Eros! 

With a shining like silver they cut through the blue 
of the sky 
Eros! 



The dove's wings, the white doves I brought to thy 

mother in worship; 
And I said, she will laugh for joy of my doves. 

Oh, stillness 
Of dead wings. She laughed not nor looked. 
My doves are dead, 
Are dead at the steps of her altar. Thy mother 
is cruel, 

Eros! Eros! 

Hear thou my lamentation, 

Eros, Aphrodite's son! 

My heart is broken and my days are done. 



89 



CRADLE-SONG 

Madonna, Madonnina 
Sat by the grey road-side, 
Saint Joseph her beside, 
And Our Lord at her breast; 
Oh they were fain to rest, 
Mary and Joseph and Jesus, 
All by the grey road-side. 

She said. Madonna Mary, 

"I am hungry, Joseph, and weary, 

All in the desert wide/' 

Then bent a tall palm-tree 

Its branches low to her knee; 

"Behold,'^ the palm-tree said, 

"My fruit that shall be your bread/ 

So were they satisfied, 

Mary and Joseph and Jesus, . 

All by the grey road-side. 

From Herod they were fled 
Over the desert wide, 
Mary and Joseph and Jesus, 
In Egypt to abide: 

90 



Mary and Joseph and Jesus, 
In Egypt to abide. 

The blessed Queen of Heaven 
Her own dear Son hath given 
For my son's sake; his sleep 
Is safe and sweet and deep. 

Lully. . Lulley. . 
So may you sleep alway, 
My baby, my dear son: 
Amen, Amen, Amen. 

My baby, my dear son. 



91 



TO MAN WHO GOES SEEKING IMMORTALITY 
BIDDING HIM LOOK NEARER HOME 

Too far afield thy search. Nay, turn. Nay, turn. 

At thine own elbow potent Memory stands, 
Thy double, and eternity is cupped 

In the pale hollow of those ghostly hands. 



92 



THE LONELY DEATH 

In the cold I will rise, I will bathe 

In waters of ice; myself 

Will shiver, and shrive myself, 

Alone in the dawn, and anoint 

Forehead and feet and hands; 

I will shutter the windows from light, 

I will place in their sockets the four 

Tall candles and set them a-flame 

In the grey of the dawn; and myself 

Will lay myself straight in my bed. 

And draw the sheet under my chin. 



93 



LO, ALL THE WAY 

Lo, all the way, 
Look you, I said, the clouds will break, the sky 

Grow clear, the road 
Be easier for my travelling, the fields. 

So sodden and dead, 
Will shimmer with new green and starry bloom, 

And there will be. 
There will be then, with all serene and fair. 

Some little while 
For some light laughter in the sun; and lo, 

The journey's end, — 
Grey road, grey fields, wind and a bitter rain. 



94 



THE IMMORTAL RESIDUE 

Wouldst thou find my ashes ? Look 
In the pages of my book; 
And, as these thy hand doth turn, 
Know here is my funeral urn. 



95 



